Simulcast on YouTube, Facebook & Twitter | Thursday, February 03, 2025 @ 11:00 AM EST (-5GMT)
Robert McGwier the director of research of the Ted and Karyn Hume Center for National Security and Technology, and a research professor in its Bradley Department of Electrical and Computer Engineering.
The Hume Center, administered jointly by Virginia Tech’s Institute for Critical Technology and Applied Science and the College of Engineering, heads the university’s educational and research programs in national security, and has taken a leading role in the university’s growth in cyber security.
Since 1986, McGwier has served as a member of the technical staff at the Institute for Defense Analyses’ Center for Communications Research in Princeton, N.J., where he worked on advanced research topics in mathematics and communications supporting the federal government. He received his Ph.D. in applied mathematics from Brown University in 1988.
An expert in radio frequency electronics and signal processing, much of McGwier’s research has looked at leveraging recent advances in software-defined and cognitive radio technology to support the communications needs of the federal government. His work on behalf of the federal government has earned him many awards, including the intelligence community’s highest honor in 2002.
In 1969, Passport to Magonia by Jacques Vallée was published. Its central thesis is that there may be a link between folklore, particularly stories of the Fae folk, and UFO lore. In the Vol. 25, No. 6, 
In 2015, while handling an inspection claim for damaged furniture in Buffalo, New York, I met with a client at his home. He was around eighty years old and wore a cast on one arm. As we walked through his condo inspecting the damaged pieces, he explained that he was battling bone cancer in his arm and that his wife of many years had recently passed away.
BIO: Anthony is an experiencer of various anomalous phenomena who has learned the importance of taking an inclusive and integral approach in the exploration of consciousness and our greater reality. He serves as the state lead for the Virginia chapter of Citizens for Disclosure, a volunteer activist group under the New Paradigm Institute pushing for UFO disclosure and transparency in Congress and destigmatizing the topic throughout society. Previously, he held a career as an open source intelligence (OSINT) analyst, focusing on geopolitical media and disinformation analysis.
The cattle mutilation mystery and its association with UFO activity didn’t get the attention of researcher investigators until the 1970s. There is an 
For many people growing up in the 1970s (of which this writer is one), seeing a UFO documentary was their first in-depth look into the subject. These films often came along with books tied in, and major publishers such as Bantam were getting onboard. More and more people were willing to accept the idea that UFOs were worthy of serious consideration, and this meant that more and more people were willing to spend money on movies and books covering the subject. What had formerly been mostly confined to a subculture of enthusiasts, was now becoming a somewhat profitable entertainment industry. Indeed, it may come as a surprise to some readers, but between the summer of the saucers in 1947, and 1968, there were only two documentaries made in the midst of all the science fiction saucer films that became popular starting in the 1950s.
The first feature-length UFO documentary was titled, appropriately, Unidentified Flying Objects with the subtitle, The True Story of Flying Saucers. It was produced by Clarence Greene and released in 1956. Researcher Robert Barrow devoted a blogspot.com 
BIO: Erling P. Strand is a Norwegian engineer and long-time investigator of the unexplained aerial light phenomena in Hessdalen Valley, Norway. He holds an MSc in Physical Electronics and Telecommunications Technology from the Norwegian University of Science and Technology (NTNU) and has a professional background in research, measurement systems, and computer science education.
For many people growing up in the 1970s (of which this writer is one), seeing a UFO documentary was their first in-depth look into the subject. These films often came along with books tied in, and major publishers such as Bantam were getting onboard. More and more people were willing to accept the idea that UFOs were worthy of serious consideration, and this meant that more and more people were willing to spend money on movies and books covering the subject. What had formerly been mostly confined to a subculture of enthusiasts, was on its way to becoming the profitable entertainment industry it is today. What may may come as a surprise to some readers is that between the 1947 summer of the saucers and 1968, there were only two documentaries (if any readers know differently feel free to comment) made in the midst of all the science fiction saucer films that became popular starting in the 1950s.